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Linear Acoustic Audio Processing Resolves
Loudness Issues - Manage Dolby Metadata for South Korea's
Qook TV
August 12, 2009
Source: Linear Acoustic
Linear Acoustic, announced that its advanced
loudness management and monitoring technology is being used
by QOOK TV, formerly MegaTV, an HD IPTV service provided by
Korea Telecom, South Koreas main telecom operator.
QOOK TV is using the Linear Acoustic AERO.air 10-channel
transmission loudness manager with Dolby Digital (AC-3) encoding
and the LAMBDA professional digital audio and metadata monitor
with Dolby E/AC-3 decoding to correct loudness during its
live and video-on-demand broadcasting services to South Korean
audiences.

Because the IPTV provider works with content from a variety
of media sources and stations, it must manage loudness differences
from program to program. In 2008 QOOK TV turned to Mediacube,
a professional audio equipment supplier, integrator and consulting
company located in Seoul, for a solution that would ensure
an even loudness and dynamic range across its entire program
offering, while also managing Dolby metadata. To meet these
needs, Mediacube installed two Linear Acoustic AERO.air loudness
managers and one LAMBDA professional digital audio and metadata
monitor at the QOOK TV facilities.
Like many broadcasters today, QOOK TV was struggling
with loudness issues, a problem that was compounded by the
varying sources for its VOD content, says Jae Kim, CEO
of Mediacube. After testing several solutions, the company
decided upon the Linear Acoustic AERO.air and LAMBDA with
the Dolby encoding and decoding options, which not only resolve
loudness issues, but manage metadata as well. The equipment
went live in November 2008, and since then, the loudness levels
have been consistent across QOOK TVs programs.
The comprehensive AERO.air from Linear Acoustic is equipped
with multiple loudness controllers, dual upmixers, metadata
management, and full-time two-channel downmixing to support
legacy stereo or analog paths. Built-in AutoMAX-II processing
detects incoming audio and automatically upmixes only when
necessary, producing a full-time compelling 5.1-channel output.

The processor accepts 5.1 channel network audio, two-channel
local audio, SAP/DVS, and digital or analog auxiliary/EAS
audio for processing. Available options include HD/SD-SDI
input for de-embedding any of the possible 16 audio channels
and vertical ancillary (VANC) metadata, internal 5.1+2 dual
Dolby Digital (AC-3) encoders, and CrowdControl dialogue
protection.
Designed to enable audio and metadata monitoring throughout
the entire broadcast chain, the Linear Acoustic LAMBDA professional
digital audio and metadata monitor displays and reproduces
up to 16 audio channels from AES or embedded HD/SD-SDI input.
The system accepts audio metadata via 9-pin serial input or
extracts it from the VANC space of an applied HD-SDI input.
Audio and metadata are displayed in combination to allow for
accurate monitoring. Included loudness monitoring per ITU
BS.1770 enables operators to verify program loudness quickly
and accurately. Any channel, channel pair, or downmix can
be monitored with the LAMBDA through the powerful digitally
amplified two-way aluminum alloy subwoofer and HF speakers,
a front-panel headphone connector, rear-panel balanced analog,
and AES digital output.
Optional Dolby E/AC-3 decoding can be performed internally
on any discrete AES input or any embedded audio channel. All
encoded metadata can be displayed and applied to the decoded
audio and metering signals.
As the broadcasting world has been transitioning to
digital television, the focus has primarily been on technologies
for video conversion, but inconsistent DTV audio loudness
is quickly becoming the leading complaint of viewers,
says Christina Carroll, vice president of sales and marketing
for Linear Acoustic.
Our AERO.air and LAMBDA solutions can easily solve any
loudness problem while including all of the necessary elements
for metadata management and Dolby Digital encoding and decoding.
We are proud to support MegaTV and others with our technology
as they strive to provide a quality listening experience for
their viewers.
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